JOSEPH DROUHIN, 2012. A Tale of Two Pinots

“It's a hard grape to grow, as you know. Right? It's uh, it's thin-skinned, temperamental, ripens early. It's, you know, it's not a survivor like Cabernet, which can just grow anywhere and uh, thrive even when it's neglected. No, Pinot needs constant care and attention. You know? And in fact it can only grow in these really specific, little, tucked away corners of the world. And, and only the most patient and nurturing of growers can do it, really. Only somebody who really takes the time to understand Pinot's potential can then coax it into its fullest expression. Then, I mean, oh its flavors, they're just the most haunting and brilliant and thrilling and subtle and... ancient on the planet.”….  Miles Raymond in the movie “Sideways.” *

“Pinot Noir is not about color and tannins.”  …. Veronique Drouhin, winemaker at Domaine Drouhin Oregon
_____________________________________________________________________________________________
I’ve tasted Pinot Noir from Burgundy and from a vineyard in New Zealand that so resembled that from Burgundy, I doubt many people would be able to identify them correctly in a blind tasting.  I have had “Pinot Noir” from Germany (Spatburgunder) and Macedonia and Pinot Noir in California and Oregon and estate grown on vineyards in Michigan. Many were delicious; some – highly rated – left me unimpressed.  Others, from which I had not expected much, surprised and delighted. At such times, I’m reminded of the art clichĂ©: “I don’t know what makes for good art, but I know what I like.”  Putting aside obvious defects like corked wine or one affected by Brett or other obvious faults, appreciating wine is subjective.  Pliny the Elder nailed that simple truth over two thousand years ago. And while traditionally, the wine world has embraced the “French” style as the epitome of the craft, you have every right to prefer a more fruit forward “new world” style is that is your liking.

All of which brings me to a comparison of two wines, both Pinot Noir, both bearing the name Drouhin.  Both 2012. One from the Cote De Nuit in Burgundy, the other from Dundee Hills in the Willamette Valley AVA of Oregon about 28 miles southwest of Portland.  For the tasting, I invited another wine writer and a casual appreciator.  Wines were served side by side, in identical glasses and my guests did not know which wine was in which glass. 

A lot has been written about terroir, some by me, and about wines that offer a sense of place in their taste.  Could these wines really be similar?  In 1987, Burgundy’s Maison Joseph Drouhin established the vineyard in Dundee believing the area to be ideal for growing Pinot Noir. Today, Veronique Drouhin-Boss and Phillipe Drouhin (4th generation winemaker and viticulturist) are responsible for the output of Oregon’s “DDO” (Domaine Drouhin Oregon). Even the back label proudly proclaims “French Soul, Oregon Soil.”  So one family, one varietal, a shared philosophy of winemaking --- but thousands of miles apart.   

In the glass, side by side, the wines looked the same.  The wine from Burgundy (since I poured, I knew which wine was in what glass) offered a nose of subdued but ripe black fruit. With air, it developed brighter, more cherry notes. DDO’s nose, however, was brighter with immediate notes of cherry. Conversely, these notes became more restrained with exposure. 

I have to say that I was struck by the similarities in the wines, though there were other differences. The Burgundy offered a hint of earthy mushroom in the taste. The finish was dry and with more tannin and mineral evident.  The DDO seemed lighter overall, though more “peppery”.  At 14.1% vs. 13% alcohol in the French, that explained the “pepper” burn. But its finish was clean and nicely acid crisp.

The casual appreciator originally preferred the DDO from Oregon, but then changed her mind and voted for the Burgundy.  The other wine writer opined that Number 1 (the Burgundy) was more graceful and with better aromatics, although – he said – number 2 was more structured. Overall, he preferred the Burgundy.

I enjoyed both wines but preferred the Burgundy immediately and throughout, though I generally have a preference for “old world” style and was aware of which wine was being tasted. I was also aware of something else I did not reveal to my guests.  The Burgundy cost $24 and the DDO cost $40. 

Sante!/Cheers!
…………………………Jim

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·     These erudite understandings of Pinot Noir were spoken by the same Miles Raymond who later drank from the spit bucket on the counter in a tasting room.


ESSENSIA ORANGE MUSCAT 2010

FIRST IMPRESSION*
·     First Impressions are a new addition to Wine Mizer.  They are short reviews based on an initial impression. No maps. No lengthy reviews. No technical specifications or information on how the grapes are vinified.  I hope you find “First Impressions” interesting in their simplicity.
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A rainbow of wine: Red, White, Rose, and, and …… and ORANGE?  Yes, orange!  Quady Winery in Madera California makes “Essensia” from Orange Muscat grapes. Quady makes only dessert wines and “Essencia” is certainly that. Wine Enthusiast recommends serving it with cheesecake. “Drink it with cheesecake and go to heaven” they said. Then they gave it 93 points.  I agree: flavors of apricot, honey and golden raisin, but for me – a strong taste of orange. While it is definitely sweet, it’s not cloying and the wine finishes cleanly with an excellent balance of acid to fruit.  This would be an excellent wine to include at holiday dinner gatherings. (And I will try it with cheese cake).     

I found it delicious with a dessert plate of
cheeses and Sumo Mandarin Orange segments.
Quadry seems to be on to something with their decision to specialize in dessert wines because they have done it so well. While many “new world” dessert wines are syrupy and cloying and better served atop pancakes, Essensia is a sweet wine but with flavors well integrated.  Grapes are obviously respected and allowed to announce their natural character without excess manipulation. 

In addition to Essensia, Quady offers “Elysium” from Black Muscat grapes and “Electra” from Orange Muscat. “Electra” is different from “Essensia” in that it is blended (25%) with Canelli and is made frizzante (a little “bubbly”) as a Moscato d’ Asti).      

The vintage I have is a 2010 and is drinkable through 2025 with proper storage. Average retail price is $26, at the winery $22.   

Cheers!
…………… Jim
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Quady Winery
13181Road 24
Madera, CA 93637
Phone: (800) 733-8068

 



ST JULIAN WINERY RESERVE PINOT GRIGIO 2011


“Wine improves with age. The older I get, the more I like it.” ….. Anonymous

Close your eyes and think of Pinot Grigio. Are you thinking of Italy?  Are you thinking of a great value, yummy-delicious Italian Pinot Grigio with a short, very un-Italian sounding name, or of another from there that (my opinion) is both overpriced and disappointing? Both shall go un-named here. But I’d bet that in the process of that exercise, you didn’t think once of Paw Paw Michigan.

My first experience with this winery was at their tasting room in Union Pier located in Southwest Michigan in the designated Lake Michigan Shore AVA. I was so impressed, I subsequently visited the winery in Paw Paw. Other tasting rooms are located in Frankenmuth and Dundee to the East.  What attracted me was their signage reading, “Italian Roots. Michigan Soil.”  The attraction proved fatal and I’ve been a fan ever since.

The “Italian roots” are evident in this delicious Pinot Grigio.  This is a bright, zesty wine with all the best characteristics of Pinot Grigio that have made that varietal so popular. But blended to include a small percentage of Traminette (a cross of Joannes Seyve 23.416 and Gewurztraminer), St. Julian’s Pinot Grigio offers delightful twists and surprises.  In the glass, the wine shows as lemon grass tea. Aromatics are strong with notes of kiwi, tropical fruit, pear and spice. These same notes carry into the taste in a symphony of flavors with notes of Honeycrisp apple, zesty lemon, lychee, pineapple and pear all making their contribution.  With more body than most Pinot Grigios,
(L) Angela Braganini, David Braganini
and The "Mizer" enjoying a Riesling
it’s also lush in the mouth, a contribution of the Traminette, yet finishes clean with an excellent fruit to acid balance.  Together, these grapes create a most enjoyable sweet/tart interplay on the palette; a push-pull of flavors collecting in the pocket mid tongue, then developing while yet teasing for replenishment.  Quite simply, this wine is fun.

Entrance to Paw Paw Winery
To keep it fresh, grapes are collected in the cool, early morning hours. Skin contact is limited and the juice sees no wood. Fermentation and aging is within temperature controlled stainless steel tanks. No malolactic fermentation is allowed.  The result is a wine that is fresh, fragrant, floral and fun --- and meant to be enjoyed young. As with most “finds,” the tendency is to put off opening the last bottle so that you’ll always have one available. But I’ve tasted several vintages and found this wine to be consistently pleasing.  

Depending on how prepared or sauced, this wine would pair
well with roast fowl and seasonal vegetables, or baked macaroni with Fontina cheese and bĂ©chamel sauce.  Its sweet / tart interplay lends itself also to enjoyment with some desserts at the end of a meal. But as the cold weather here begins to give way to spring breezes, I’m thinking of carefree hours spent outdoors by a lake at a picnic table with sandwich in the basket and this wine in the glass.

Cheers!
……………… Jim
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St. Julian Winery
7166 S Kalamazoo St
Paw Paw, MI 49070
(269) 657-5568




VILLA BELLANGELO WINES (Finger Lakes, New York)

“If I can make it there, I’ll make it anywhere. It’s up to you New York, New York!”

But as was said in George Gershwin’s 1935 opera “Porgy & Bess”, “It ain’t necessarily so.”  While Frank Sinatra (backed by a terrific band) made a terrific song, when it comes to wine it is definitely not so.  Recently I had an opportunity to taste some of the estate wines of Villa Bellangelo. The wines were not only delicious, they served to affirm the importance of terroir.  Bellangelo Vineyards and Winery is located in Dundee near Seneca Lake in the Finger Lakes Region of New York. 

The conditions for ideal grape growing in this region were actually set into motion tens of thousands of years ago. Retreating glaciers deposited a layer of topsoil on shale beds above the lakes. Seneca Lake is the deepest of the Finger Lakes at 618 feet and rarely freezes. And the lakes (there are eleven) moderate the region’s temperatures.

Move forward several tens of thousands of years and I was enjoying wines from the Finger Lakes here (in the Midwest) in the early 1970’s. But as California gained prominence, retail outlets allocated more of their limited shelf space to that state’s offerings, as well as to the expanding market here for non U.S. wines, and New York’s wines became difficult to find and enjoy. More the pity because these wines are affordable and exciting and truly unique.
Shale From The Seneca Lake Vineyard
This piece about 3"x3"x1/4" 
As Chateaubriand and Filet Mignon are similar, they are also different:  Bellangelo’s Gewurztraminer is similar to Alsace, and its Rieslings are similar to those of the Mosel region of Germany - similar but so appreciably different. Any lover of wine who professes an appreciation of terroir is self-obligated to taste Villa Bellangelo and other wines of the Finger Lakes.

I’ll be posting more detailed reviews of some of these wines in the months ahead. But in the meantime, these wines are too “Wine Mizer worthy”   to remain unmentioned. So being the dedicated reviewer that I am, I’ve ordered additional of these wines to taste a second time. And in the meantime, here are my first impressions:    

1)    2013 Seyval Blanc $16.  I’m starting with this wine because I generally don’t enjoy Seyval Blanc and there always seem to be so many other white wines to enjoy. For me, Seyval is weak in character; listless, wondering what to make of itself.  Even its color is non-descript.  But the nose of this rendering from Villa Bellangelo immediately captivated me. Character a plenty with notes of quince and lemon. Silky mouthfeel. Back taste brings in hints of orange and vanilla. A white wine of balance that plays with all its flavor hints in tandem and with a surprisingly long finish.
2)      2012 Gewurztraminer $20.  Nose is faint, but pleasantly floral. Kiwi, peach, quince, lychee. A luscious mouthfeel (more glycerin like than the 2013). Long finish.  Both this and the 2013 share similarities with a Gewurz from Alsace yet provide a uniqueness that give a sense of place and make these wines so fun to drink.
3)    2013 Gewurztraminer. Nose of honeyed peach that carries into the taste along with apple that develops noticeably. Sharper acid finish. 
4)     2013 Cabernet Franc $18.  Cherry colored in the glass – like a Pinot Noir. I’m concerned the wine may be thin.  Then again, I recently had a Cabernet Franc from Argentina that was hot-climate deep purple and tasted too much like Cabernet Sauvignon.  I’m looking for the graceful, unassuming but balanced style of a Loire style Cabernet Franc.  Another reviewer visited unexpectedly and I offered him a taste. “Delicious” he said immediately.  I enjoyed a delicate nose of sour cherry and raspberry and a taste of cherry cordial chocolates. A little alcohol-black pepper in the throat that thankfully wasn’t present in subsequent tastes.  My fault – I needed to give the wine more air and will be tasting this again.
5)     2013 Semi-Dry Riesling $18.  The nose is Mosel:  smell/taste this wine blind and you might take it to be an Auslese. Tart green apple that softens in the taste as sweet ripe pear develops. The tart-sweet interplay mid-palette is intriguing, but the experience continues as an interplay develops between honeydew melon and pear. Who said white wines can’t be complex?
6)      2013 Dry Riesling $18.  Classic, pale straw in the glass with edges that are almost translucent. Again, looks like a Riesling from Mosel. Nose is light, delicate and floral with orange blossoms. Heavier bodied than a Mosel Kabinet, it offers Granny Smith apple and Meyer lemon with hints of orange and a taste that just continues to build in this uniquely characterized wine. Long finish.

Frank Sinatra had a great song, was a great singer and certainly could afford to buy great wine. But what they do in New York is unique and just can’t be done anywhere.  The sampling of wines from Villa Bellangelo delighted me with wines that are graceful, play with the senses and uniquely reflect a sense of place.  And you needn’t have a star’s pocketbook to afford them. At prices shown, these wines are super values.

Cheers!
……………. Jim
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·         Wines reviewed provided as a sample by the winery

Villa Bellangelo
150 Poplar Point Rd
Dundee, NY 14837
607-243-8602








CHATEAU CADILLAC 2010 AND THE IMPORTANCE OF VINTAGES

"Drinking good wine with good food in good company is one of life’s most civilized pleasures.” -Michael Broadbent

News, by definition, is not about the ordinary.  It is the attention getting story that gets played or published.  And so when wine gets attention in the mass media, it is often about a record setting price paid for a particular Bordeaux wine.  Along the line of “Tell a lie often enough about a generality and people will begin to accept it as truth for all particulars” we need to be reminded that not all Bordeaux wine is the same.  Just ask the French.  They live there and know something about French wine. 

They also know something about vintages which many of us take for granted here.  Weather is important to all types of agriculture everywhere.  But in France, where irrigating grape vines is not allowed, rain (its timing and its amount) are critical as are other factors that affect grape and other crops elsewhere.  So while wine collectors and investors worldwide pay big sums for a Grand Cru from a great vintage (hoping to later cash in on escalating prices), I buy wine to drink it.

And I prefer to pay other than big prices.

And I prefer to enjoy good wine.

And the two are not exclusive of each other.  And you can too.

So now we need to get to vintages and why they are important in Bordeaux, for example.  I’m not a fancier of numerology, but recent vintages of note are 1995, 2000, 2005, (2009) and 2010. Two-thousand and nine was, perhaps, made a good year by Mother Nature just in order to throw off the numerologists.  2007 also had its merit, but is a year to appreciate early. If you learn the years of good vintages, want to drink good wine and want to do so inexpensively, it’s important to learn this so that you can work with the “Wine Mizer” system.

When a year (vintage) is really stellar, almost any wine from that area will be enjoyable. It will not, certainly, be as complex or as structured or even as cellarable as a Premier Cru. It will also not necessitate that you apply for a home equity loan in order to enjoy a bottle.  A good example is Chateau Cadillac from 2010 (pictured here).  The Chateau is near Fronsac in Bordeaux and uses regional blends in making everyday table wine.   Their red blend is 70% Merlot / 30% Cabernet Sauvignon… pretty classic even without Cabernet Franc or Petit Verdot and made in an “old world” style being less fruit forward. The wine is medium-bodied and offers all the classic depth and elegance associated with French Bordeaux.

It cost me $17.

Now that I have your attention, let me better describe this $17 wine.  Respecting that palettes differ, I enjoyed the wine’s nose of pencil lead and dark cherry which carried into the taste and married with leather and juicy cassis. The finish hinted at black tea although tannins were smooth and the finish carried along some dark chocolate.

Chateau Cadillac is labeled “Bordeaux Superieur” meaning it is slightly “superior” to standard Bordeaux AOC wines. Although the Chateau is a 13th Century Estate and makes what I consider very good value wine, and although the estate’s chalk and gravel soils produce grapes of character and a sense of place, wine begins in the field.  And 2010 was a great year for that area.

2004, an "off" year but drinking
beautifully  now from these 3rd growth estates.
Being a contrarian, and since I so enjoy Bordeaux wine, I do buy Grand Crus in off years. 2004 and 2006 encapsulated the great vintage of 2005.  I bought each of those years limiting my selection to 3rd growths (Troisiemes Crus). The respected estates’ blending experience, and their access to quality barrels assure me of a wine that will cellar and develop beautifully over time. Buying the best (or at least very good) in off years means you don’t have to in great years. It means you can consistently enjoy quality “old world” wine in all years and at substantial savings in each.    

For another review of an excellent but remarkably value-priced wine, see my review of Chateau Pey La Tour (2010) and click this link:  http://www.winemizer.net/2014/01/chateau-pey-la-tour-2010.html

In the meantime,
Even the Mizer does occasionally splurge: Here on some
2010s - a great year - but they're 3rds.
why not try this Wine Mizer system for enjoying excellent Bordeaux wine at surprisingly affordable prices?  You’ll thank me later (if your parents raised you correctly).

Sante!
……………….. Jim (Master Gardner, April 1992. U of I Cooperative Extension Service).

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SIDURI WINERY 2012 SANTA LUCIA HIGHLANDS PINOT NOIR

“Let us celebrate the occasion with wine and sweet words.” … Plautus

Siduri is another example of wineries began by first generation winemakers who have garnered acclaim and a cult following of wine lovers; in this case lovers of
Pinot Noir.  Founded in 1994 by Adam and Diana Lee on a shoe string budget, the Lees have developed Siduri into a winery producing more than twenty Pinot Noirs, the majority being single vineyard.  Their love of Pinot Noir and their passion for work has earned them praise from such notables as Robert Parker (“One of California’s top Pinot Noir producers. One of my favorite wineries.”)  to Antonio Galloni (“Siduri’s appellation level Pinots are wines that consistently over deliver.”).  Add Matt Kramer’s comments (Wine Spectator) from his new book, New California Wine: (“To taste Siduri is to taste some of the best Pinot Noir made in America today.”).

Even with a wide angle lens, I couldn't
get all the Pinots Siduri makes. (But I'm happy
to have these).
I’d be thinking too much of myself to think I could add anything of more weight to these comments from such notables.  But in fact, comments from such heavy weights can have the effect of scaring away some consumers, leading them to believe the label may be too expensive for their budget. Siduri has completed an end run pass around this problem by working with more than twenty vineyards. They maintain a bare bones operation, making only Pinot Noir.  And visiting the winery, you won’t see an expensively appointed tasting room. The opulence is solely in the wine. Hence the cult following that recognizes both good Pinot Noir and a bargain.

I recently tasted a 2012 Santa Lucia Highlands Pinot Noir, for example. The wine is a blend from five sites the winery works with. But Siduri vinifies each wine separately by block, clone and barrel type to maximize individual components and provide greater complexity to the final blend.  In the glass, the wine is ruby colored and offers aromas of cherry and blackberry. But I was most intrigued by the nose of white smoke, flowers and musk. This was a supple, juicy Pinot with silky tannins and a pleasing, cleansing zesty acidity. I tasted dark mashed plum and the wine played a savory-sweet balancing act of cherry and vanilla notes along the way. A hint of black pepper accompanied the dry finish.

The wine is fermented with 20% whole clusters and a blend of wines from both the cooler northern end of the Santa Lucia Highlands (Rosella’s, Garys and Soberanes Vineyards) and the warmer southern end of the appellation (Sierra Mar and Pisoni). 
With Tyler Bruner (L) Siduri guide
extraordinaire in the winery
warehouse
Temperature (and other factors) play an important role in how grapes ripen and in what they offer as wine and partially explain why you may like a pinot one day and not the next.  By blending wines from both areas, after vinifying each separately, Siduri offers an entry label Pinot Noir of considerable elegance by itself or with food and one which tastes higher than it is priced (ARP $31).

Siduri has never filtered or fined any Pinot Noir. Their belief is that doing so, more often than not, the wine is stripped of its flavor and character.  There is no way for me to taste this same wine having undergone such procedures.  But having tasted this wine as it is, there is no reason for me to want to.       
Cheers!
……………  Jim

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J. ROCHIOLI “THREE CORNER” PINOT NOIR 2010 (RUSSIAN RIVER VALLEY)

“Wine is sunlight held together by water.”  … Galileo Gallilei

I should not be liking this wine.  I am, after all, a Francophile by taste  And although I’ve tasted some domestic Pinot Noir using Burgundian yeast and clones and another from New Zealand (same clones, and again with the yeast) and have enjoyed them -  doing this only served to establish my preference for the “old world” style: earthy and not so fruit forward.  But this Rochioli Pinot Noir exploded with fruit and I was loving it!   I cannot recall ever having so enjoyed a fruit forward wine.  If any Pinot Noir could re-patriot me, this Pinot had the best chance. 
Entrance to the winery

No, I haven’t changed my general orientation to Pinot Noir.  The problem (my opinion) with most fruit forward Pinot that I tasted is that its “forwardness” is dominating.  It obscures all the other characteristics of the wine.  There is no symphony playing out of the bottle, only a concerto from an instrument that keeps playing the same note.  Good wine, great wine, displays a push-pull of balance; a tease and reward system of notes on the palette that constantly intrigues and invites more exploration.  The better the wine, the better this game is played out. 

Visiting the vineyard in 2012, I tasted and was blessed to walk away with their 2010 “Three Corners” Pinot Noir that I was just now tasting again. Rochioli vineyard makes several wines, including  estate and single-vineyard estate bottlings, that  span the palette from Chardonnay, Sauvignon Blanc, Pinot
Noir (including a rose of Pinot), Syrah, Valdiguie (a Languedoc-Roussillon in the style of a Gamay) and a sparkling Blanc de Noir.  But it was the Pinot Noir that possessed me.  That it, in fact, possesses so many people is evident when you look at the ratings.  While all the Rochioli varietals are well rated (you can see this yourself -  click the tab labeled “accolades” on the vineyard’s web page), it’s their Pinots that constantly garner 90+ points, with some releases earning numbers like 96/93/93 from the Parker-Tanzer-Galloni triumphate that possess me.  And in the guide books for California wine touring, Rochioli vineyard is always included as a must visit with emphasis on tasting the vineyard’s Pinots.

I enjoyed aromas of ripe, mashed blackberry and cherry (emphasis blackberry) that followed through in the taste. This was a wine of intriguing contradictions: it was decadently rich but finished clean in a perfect acid balance against fruit. The mouthfeel was glycerin like, coating the palette with silky and clean fruit spiced with anise and a whisper-hint of black tea.  Yet despite all this fruit, the wine was not jammy.  It was a symphony of balance instead; its notes intermingled while playing against each other, each discernable but then immediately contrasted against the other, all ending in a long, long finish.  Amazingly, despite this long finish, I wanted to sip again just to re-experience the process.  Yes, this is a “new world” style wine. It’s not in the style I have habituated to since enjoying French burgundies in the 70’s and becoming accustomed to that model.  But it was a joyous experience and one I would happily and eagerly re-visit.  And perhaps, that’s the strongest recommendation any wine reviewer can really make.

Speaking of recommendations, this Pinot is a single-vineyard estate wine and among the bottlings constantly sold out -  so much so that people wanting to experience it need to register on a list.  So another 
Tasting ready-for-the-crush grapes at the winery in 2012
with Victoria Stone (Wine Server Extraordinaire)
recommendation is to visit the winery’s web site and register on that list. In the meantime, estate wines (including Pinots) are available and can be ordered directly on line.  Tasting these excellent wines will just develop appreciation toward the eventual experience of being able to enjoy a single-vineyard estate bottled wine from J. Rochioli vineyard and winery.  The push-pull of balance, the tease and reward system of notes on the palette intrigues and invites along the journey.

Cheers!
……………….. Jim

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TECH SPECS
Age of Vines:                         32 yrs
Fermented                             20 days, Open top stainless tanks. Hand punched cap
                                                Malo-Latic: 60 days
                                                Skin Contact: 11 days
                                                100% French oak / 50% new 
                                                60 gal barrels /  15 months
Acid:                                      .62 gm/100ml
PH:                                         3.55
Alc:                                         14.5%
Cases:                                     163
Cellaring Potential:               6 – 8 yrs

J. Rochioli Vineyard and Winery
6192 Westside Rd
Healdsburg CA 95448
Tel: 707-433-2305











          

CHATEAU SAINT-ROCHE (Languedoc) COTES du ROUSSILLON VILLAGES CHIMERES 2007

“Wine is valued by its price, not by its flavor.” … Anthony Trollope (English novelist 1815-1882)


OK, that’s a lot of words. But you have to appreciate the French for putting it all out there on the labels (most words are on the back label, with “Chateau Saint-Roche” and “Chimeres” appearing on the front).  It’s French.  Even if you’re new to wine, you get that from the word “Chateau”.  The region in France where the wine is made is the Languedoc Roussillon.  The sub-region (a smaller area within that area) is the Roussillon. And the appellation is Cotes du Roussillon Villages.  Chimeres is a red Rhone blend made by Saint-Roche.  You could probably get by just asking for a Saint-Roche, though learning what these areas mean is helpful.  For one thing, French wine is still a standard worldwide.  For another, you can get good French wine made in the Languedoc area with just budget friendly money being spent.


At less than $20 (and often $16), you get a lot of wine in the glass.  And this blend of (40%) Black Grenache, (30%) Carignan, (20%) Syrah and (10%) Mourvedre shows deep purple. It offers aromas of mocha, raspberry and violet with hints of provincial herb. The wine has medium plus body and plus, plus tannin. But despite all this rich dark fruit and ample tannin, the wine is surprisingly smooth and supple. Mr. Trollope (see quote above) obviously never tasted Saint-Roche. If you’re looking for a winter wine somewhat on the chewy side or something to go with beef, this is a good choice.  At 14.5% alcohol, which by French standards is high, this wine packs some heat that you’ll feel on the back taste with black pepper.  A great winter wine and a good value, Parker / Wine Advocate awarded it 92 points and I found it most interesting.  Imported by European Cellars, it’s an “Eric Solomon Selection”.  And if you’re not familiar with French wines, that’s another piece of information on the back label to look for.  Drink now, or obtain a more recent vintage.

Sante!
……………… Jim

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